Post-feminist Backlash in Chick Lit Novels: The Devil Wears Prada (2003) and The Singles Game (2016) By Lauren Weisberger

الموضوعات

علوم اللغة

الملخص

Chick lit emerged as a literary genre three decades ago. Chick lit swept the literary world by storm overnight and transformed the world of contemporary women’s fiction. Chick lit’s light tone makes it easy to overlook the idea that chick lit novels still reinforce patriarchal views about women. Therefore, this work sets to prove the presence post-feminist backlash in chick lit novels through the analysis of two chick lit novels. In Lauren Weisberger’s two chick lit novels The Devil Wears Prada (2003) and The Singles Game (2016), post-feminist backlash against women is an underlying presence. In both novels patriarchal views about women and professional work are reestablished. Through the depiction of miserable stressed career women, the novels implies that women are not fit for professional career and a happy, fulfilled women to leads a more domestic lifestyle. Moreover, The Singles Game showcases the renewed focus on female body in the women’s sports and exposes underlying sexism that still prevails in western society. Furthermore, The Devil Wears Prada showcases the dangers of women in power.

روابط وملفات

التعريف والنوع

رقم الوثيقة

ff967bdb-44ac-4c69-b432-1d883d01f368

رقم العقد

0

نوع الوسائط

Crawler

نوع المحتوى

الرسائل العلمية

صيغة المصدر

ماستر (LMD)

نوع الملف

pdf text

أسماء الملفات

2059654_1.pdf

بيانات النشر

ألقاب المؤلفين

[{"name_ar":" Nadia Abdelhadi ","title_ar":"اشراف","title_en":"Supervision"},{"name_ar":"Ouarda Chenene ","title_ar":"اعداد","title_en":"Preparation"}]

اللغة

English

المصدر والدورية

اسم المصدر

Post-feminist Backlash in Chick Lit Novels: The Devil Wears Prada (2003) and The Singles Game (2016) By Lauren Weisberger

المحتوى والصفحات

عدد الصفحات

0

إشراف وإعداد

الإشراف

Nadia Abdelhadi

الإعداد

Ouarda Chenene

الاقتباسات الببليوغرافية