La projection de soi dans l’univers fictionnel d’ Albert Camus

الموضوعات

ادب

الملخص

This doctoral thesis entitled The projection of Oneself in the Fictional Universe of Albert CamusFocuses on the Quest for the Aspects of Self-writing or on Oneself Inherent in Camusian texts: TheStranger, the Plague, the Fall and the First Man. They correspond to the three cycles of his whole work(absurdity, revolt and love), elected on the one hand for their concordance with the author's life andpersonality, and on the other hand for their relation to the socio-historical context of their time.These texts, insofar as they each have their own status, are used at different levels of receptacle to thepersonal implications and projections of the writer on his work.The romanesque writings of Camus that we have chosen relate to fictionalization and projection of selfoperated under the mask of the anonymity anthroponymic that favors the texts of fiction. The projectionof self is there present.Did not Jacques Cormery, Rieux, Meursault and Jean Batiste Clamence play the game of arepresentation in keeping with the different facets of Camus himself, his positions and his personality?The elected Camusian writing processes are at the extreme limit and under intense tension, betweenfiction and autobiography, in order to resemble this ""genre"", which today is called ""autofiction "".

روابط وملفات

التعريف والنوع

رقم الوثيقة

f9dcc002-255c-42b4-baa9-d0a462a26eb8

رقم العقد

0

نوع الوسائط

Crawler

نوع المحتوى

الرسائل العلمية

صيغة المصدر

رسائل دكتوراة

نوع الملف

pdf text

أسماء الملفات

794840_1.pdf

بيانات النشر

ألقاب المؤلفين

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اللغة

French

المصدر والدورية

اسم المصدر

La projection de soi dans l’univers fictionnel d’ Albert Camus

المحتوى والصفحات

عدد الصفحات

0

إشراف وإعداد

الإشراف

Bruno Gelas, Nedjma Benachour

الإعداد

Ali Tebbani

الاقتباسات الببليوغرافية