تراسل الحواس في شعر العميان في العصر العباسي: بشار بن برد أنموذجا

الموضوعات

ادب

روابط وملفات

التعريف والنوع

رقم الوثيقة

f5992fdf-cbd9-4de9-9ce3-b206d6ab65cd

رقم العقد

0

نوع الوسائط

Crawler

نوع المحتوى

الرسائل العلمية

صيغة المصدر

رسائل ماجيستير

نوع الملف

pdf image

أسماء الملفات

f5992fdf-cbd9-4de9-9ce3-b206d6ab65cd_1.pdf

بيانات النشر

ترجمة العنوان

Secses Correspondence in Abbasid Blind Poathry Bashar Bin Burd as an Example

ألقاب المؤلفين

[{"name_ar":"غادة خلدون أبو رمان ","title_ar":"اعداد","title_en":"Preparation"},{"name_ar":"نجود عطا الله الحوامدة","title_ar":"اشراف","title_en":"Supervision"}]

اللغة

Arabic

المصدر والدورية

اسم المصدر

تراسل الحواس في شعر العميان في العصر العباسي: بشار بن برد أنموذجا

المحتوى والصفحات

عدد الصفحات

0

ترجمة الملخص

This study addressed senses correspondence, phenomenon, in abbasid blind poetry, and Bashar bin Bard was chosen as an example. The researcher was prompted by the assumption that this pact was creative, despite his blindness and description was the active factor in shaping poetry structure in his divan (Volume), interms of construction based an the picture arising from the imaginary, which constituted the secret of Bashar creativity in drawing the poetic picture, and this was gratified by his senses correspondence.To verity this assumption, and what was evident in finding out creative aspects in his poetry, the study plan was based on two chapters, with an introduction including approach and approximations so:The first chapter was devoted for the study of the picture, its concept in literature, and imaging action, as well as senses correspondences and its derivation and integration with the picture Oiming at relishing the approximations of senses correspondence.The second chapter, however, was devoted to highlighting senses correspondence in Bashar poetry in terms of study and analysis through what 1 conclude based on touching, hearing, tasting, seeing, and smelling senses in addition to color fullness and the indication of each picture in his poetry, Therefore it was found that the poet was creah've in perceiving the picture and his senses correspondence and synergy in picking and matching creative artistic pictures, so he proved senses correspondence to be enjoyed by the recipient. Finally, the poet showed his involvement in the public life and interaction with those surrounding him so his pictures were full of senses involvement and his language was connected to its deviations to form the picture greatness's, mean while color picture, colors requirements have has its efficiency to be told by contexts in how the poet expressed himself in a combination of exchanged senses.

إشراف وإعداد

الإشراف

نجود عطا الله الحوامدة

الإعداد

غادة خلدون أبو رمان

الاقتباسات الببليوغرافية