رسائل دكتوراة
العربية
2002
ebf4701b-1184-4bb4-abd0-75c206a97b4e
أثر المعتقد على التصميم الشعبي في منطقة السافل بالسودان
علي محمد عثمان محجوب, يوسف حسن مدني
جامعة الخرطوم · السودان
الموضوعات
ادب
روابط وملفات
التعريف والنوع
- رقم الوثيقة
- ebf4701b-1184-4bb4-abd0-75c206a97b4e
- رقم العقد
- 0
- نوع الوسائط
- Crawler
- نوع المحتوى
- الرسائل العلمية
- صيغة المصدر
- رسائل دكتوراة
- نوع الملف
- pdf text
- أسماء الملفات
- 1634537_1.pdf
بيانات النشر
- ألقاب المؤلفين
- [{"name_ar":"علي محمد عثمان محجوب","title_ar":"اعداد","title_en":"Preparation"},{"name_ar":"يوسف حسن مدني","title_ar":"اشراف","title_en":"Supervision"}]
- اللغة
- Arabic
المصدر والدورية
- اسم المصدر
- أثر المعتقد على التصميم الشعبي في منطقة السافل بالسودان
المحتوى والصفحات
- عدد الصفحات
- 0
- ترجمة الملخص
- This study investigates in seven chapters (Vol.1) the influence of belief on designconcepts in the Safil of Sudan.Although contemporary studies confirm uniformity of creative abilities betweendifferent human races, yet both of the archaeological and historical records reveal aseries of 2 and 3 dimensional innovations in the Safil of Sudan prior to the wide influxof the nomadic Arab tribes between the 7th and 16th centuries and remain silent eversince.Currently, lack of attraction, innovation and individuality ( pre requisites of creativity) manifests in and characterizes 2 and 3 dimensional design aspects in the Safilrepresented by folk graphics and folk architecture respectively, featuring dominantmonotonously repeated standardized forms.Historic and contemporary social, ethnic, religious, educational, economic, politicalstructures and relative folklore theories have been investigated and discussed.Creativity and design potentials and terms have also been stated and defined.Belief, one of the factors influencing creativity, has been hypothesized to have majordirect, indirect, positive and negative influences on design aspects in the Safil. On onehand it stabilizes the society, but on the other it hinders creativity.Based on fieldwork survey, a typo/analytical research has been conducted to test thehypothesis. Folk graphics and folk architecture elements have been sighted, collected,classified, documented, defined and analyzed.Findings attribute the problem to Khalwa educational system. Based onmemorization, dictation, imitation, recitation and hand copying of religious verses,quotations and decoration patterns as only means of teaching reading and writingabilities, the system neglects investigation, exploration, experimentation, imagination,and deduction, natural childhood behavior qualities required in late childhoodeducation for future adult reflections.Recommendations to solve the problem evolve round suggestions to improve theeducational system to simultaneously meet adequate educational requirements whilemaintaining the stability of the society.Appendix includes maps, diagrams, photographs, interviews questions, lists ofinformants, Khalwas and law cases samples. Contemporary design, folk graphics andfolk architecture vernacular design terminology indexes have.
إشراف وإعداد
- الإشراف
- يوسف حسن مدني
- الإعداد
- علي محمد عثمان محجوب
الاقتباسات الببليوغرافية
APA
علي محمد عثمان محجوب و يوسف حسن مدني. (2002). أثر المعتقد على التصميم الشعبي في منطقة السافل بالسودان. أطروحة(رسائل دكتوراة). جامعة الخرطوم. السودان.
MLA
علي محمد عثمان محجوب و يوسف حسن مدني. أثر المعتقد على التصميم الشعبي في منطقة السافل بالسودان. 2002. جامعة الخرطوم، رسائل دكتوراة.