الصورة الفنية فى شعر الطبيعة فى العصور الأموي

الموضوعات

ادب

روابط وملفات

التعريف والنوع

رقم الوثيقة

101d0053-ca6c-4926-8340-cbf901f81b30

رقم العقد

0

نوع الوسائط

Crawler

نوع المحتوى

الرسائل العلمية

صيغة المصدر

رسائل دكتوراة

نوع الملف

pdf text

أسماء الملفات

1957870_1.pdf

بيانات النشر

ترجمة العنوان

The Artistic Imagery in Nature Poetry Of Umayyad Era

ألقاب المؤلفين

[{"name_ar":"أحمد دواليبي","title_ar":"اشراف","title_en":"Supervision"},{"name_ar":"ياسر مصطفى قديري","title_ar":"اعداد","title_en":"Preparation"}]

اللغة

Arabic

المصدر والدورية

اسم المصدر

الصورة الفنية فى شعر الطبيعة فى العصور الأموي

المحتوى والصفحات

عدد الصفحات

377

ترجمة الملخص

Modern critics and researchers have raised a lot of arguments discussing the term of ‘artistic figure of speech’ in the Arabic literature. These critics and researchers used different terms. They called it the artistic, poetic, the literary, rhetorical, or the graphic figure of speech. We can avoid this dilemma by saying briefly that if the poetic figure of speech re presents the overall and comprehensive representation of the poem that contains one meaning; the literary figure of speech is the one concerned with literature and other literary arts such as painting, sculpting, and music; the graphic figure of speech de pends on the ancient rhetorical arts such simile, metaphor, and metonym; the allegorical figure of speech is every description that refers to the actual state of things for a rhetorical purpose; and the real figure of speech is the description of reality through the use of the poet’s imaginative skills without the use of the ancient rhetorical arts; then, the artistic figure of speech is like a melting pot that incorporates all the artistic terms with in it. Probably, those who called it the artistic figure of speech realize that poetry is the most elevated and comprehensive type of art. If the artist tools are the brush and colors ; the sculptor tools are the hammer and sickle; then, the poet tool is the artistic figure of speech which represents the pole and essence of poetry. The artistic figure of speech reflects the artistic genius and the original experience of the poet through the creative process that transfer his feelings, expresses his intentions and emotions, and raises the interest and the impact on the audience. It moves their hearts and shakes their feelings without any artificial and affected emotions to avoid producing artificial poem with hackneyed vocabulary and rejected meanings that reflect a repeated process of replication and imitation of ancient traditions. The importance of the study of the artistic figure of speech in the poetry of nature in the Umayyad era which was not an age of regression but that of revival and renaissance of the nature poetry. Revival of this poetry used the artistic figure of speech that was reformulated and restructured by the touch they added from their own souls and styles distinguishing it from the Jahiliy artistic figure of speech. This raised the elegancy of the Ummayyad artistic figure of speech for the touch of seriousness it carries due to the mixture it incorporates from the of traditional and Jahiliy impact and the new Islamic utterances.

إشراف وإعداد

الإشراف

أحمد دواليبي

الإعداد

ياسر مصطفى قديري

الاقتباسات الببليوغرافية