سیاچەمانە و بونیادی کۆمەڵایەتی هەورامان: توێژینه وەیه کی ئەنسرۆپۆلۆجیە

الموضوعات

اجتماع

روابط وملفات

التعريف والنوع

رقم الوثيقة

0cb702cd-d2a8-4fce-b947-cf262532f9c5

رقم العقد

0

نوع الوسائط

Crawler

نوع المحتوى

الرسائل العلمية

صيغة المصدر

رسائل ماجيستير

نوع الملف

pdf image

أسماء الملفات

0cb702cd-d2a8-4fce-b947-cf262532f9c5_1.pdf

بيانات النشر

ترجمة العنوان

Siachamana and Social Structure of Hawraman: Anthropological research

ألقاب المؤلفين

[{"name_ar":"عبدالله خورشيد عبدالله","title_ar":"اشراف","title_en":"Supervision"},{"name_ar":"هديه علي عابد","title_ar":"اعداد","title_en":"Preparation"}]

اللغة

Kurdish

المصدر والدورية

اسم المصدر

سیاچەمانە و بونیادی کۆمەڵایەتی هەورامان: توێژینه وەیه کی ئەنسرۆپۆلۆجیە

المحتوى والصفحات

عدد الصفحات

0

ترجمة الملخص

This research is about (Siachamana and Social Structure of Hawraman), Anthropological research in the aspect of art anthropology. It’s the first scientific research has been conducted on Syachamana in the field of anthropology. The main purpose of this research was to investigate precisely on the content of Siachemana and try to understand the anthropological symbols of Siachemana and its impact on the social and cultural life of Kurdish society in general and Hawraman in particular . Over all Siachamana is a special high-intensity music that is different from Hawrami songs . It is not easy for everyone to sing. Siachemana is a religious tradition of Hawraman society , it means one side of it is in the art and another side connected with the religion , Siachamana is nostalgia and the song and the music of life. However , There is a decline in the number of fans of this original culture. The importance of this art in Hawraman society varies from region to another . For example, in Hawraman, East Kurdistan, the importance of this art remains the same and has a lot of fans, unlike South Hawrama, Therefore it’s on the Government to pay attention to raise the artistic level and promoting the singers of Siachemana intensive in the field of national art, as well as the duty of citizens to be concerned about preserving and not losing their culture. The artistic institutions and tourism shops should introduce the songs of Siacheman to the people through their artistic meetings, especially the older Siachemana singers and try to document their recordings and protect them from extinction and tourists who visit the area.

إشراف وإعداد

الإشراف

عبدالله خورشيد عبدالله

الإعداد

هديه علي عابد

الاقتباسات الببليوغرافية