القيم التشكيلية التعبيرية في الأعمال المطبوعة عند إدوار مونش

الموضوعات

فن

روابط وملفات

التعريف والنوع

رقم الوثيقة

0bbd7cfc-f20a-40ec-8dc1-1f7ad1b9ce53

رقم العقد

0

نوع الوسائط

Crawler

نوع المحتوى

الرسائل العلمية

صيغة المصدر

رسائل ماجيستير

نوع الملف

pdf text

أسماء الملفات

1964058_1.pdf

بيانات النشر

ترجمة العنوان

The Plastic and Expressive Values in Printmaking of EDVARD MUNCH

ألقاب المؤلفين

[{"name_ar":"عبدالكريم فرج","title_ar":"اشراف","title_en":"Supervision"},{"name_ar":"مسعف موسى عنقه","title_ar":"اعداد","title_en":"Preparation"}]

اللغة

Arabic

المصدر والدورية

اسم المصدر

القيم التشكيلية التعبيرية في الأعمال المطبوعة عند إدوار مونش

المحتوى والصفحات

عدد الصفحات

0

ترجمة الملخص

I dare not claim that I could uncover all the feelings experienced by Munch, since, I believe, no other person has ever had such feelings and has been able to deeply portray them at the sametime in the forms of paintings an graphic art (Printmaking). I only try to analyze and decode the symbols he used throughout the stages of his life both as an artist and as a man, although these two lives, lasting for 8 decades, are closely connected. These same symbols are the ones which molded Munch himself into a pure creative expressionist artist and a distinctive symbol in the entire art history representing the faculty for sincere expressing of feelings through art.I am not only looking at Munch thegraphical (printmaker), painter, or even the philosopher; although his character might have deservedly included all of these together. Instead, I am looking at Munch the human being who has exploited painting to express his spiritual and psychological tremors-which have led him to the grave, in a very shrewd and sensitive way. In this research which encompasses all phases of Munch’s life and contributions to plastic art, I am trying to focus on the afore-mentioned tremors and anguishes, simply because I strongly consider them to be the main source of all of his creative powers, the most important of which being, assuredly, the creative manifestations in the field of graphic art! Also interesting were his rebellious screams of agony mainly expressed in his prints.If it has not been for the traces of the fragments scattered with the strokes of his chisel and burnisher on the surfaces of hard metals and those deeply scraped lines on the engraved surfaces of wood and metal, as well as every stroke of the lithographic crayonon the surface of alithographic limestone, accompanied by an interesting blend of a deep contemplative vagueness saturated with the glow of his breaths and feelings, from which black or grey spots emit to mingle with light or dark shades in the depths of his paintings, etchings and lithographs; if not for these, I would have never been led to his especially spontaneous vision;This vision which represents the mentality of an artist who has suffered great pain in his life until gaining the heart of a brave fighter who praise death as equally as life. He has thrown away all premonitions of disease and all illusions inherited from his family’s life experience and his own life, to overcome every hardship with massive victories by means of his brush and chisel. He has tasted the sweetness and bitterness of life. Nonetheless, he has always been triumphant through his pleasant pictorial and graphic creativity in particular, leading to a great glow of creativity which mocks all kinds of worries, hardships and pains. He has been resolved to succeed and success he earned, offering brilliant works unmatched by any other works of any other artist-especially for one under similar circumstances. Consequently, he has managed to prove that life can win overnihilism, strength over weakness, all through his spontaneous lines and symbols of the moon, the lunar pole and the winding beaches of Christiania

إشراف وإعداد

الإشراف

عبدالكريم فرج

الإعداد

مسعف موسى عنقه

الاقتباسات الببليوغرافية