جماليات الكوميديا في مسرح محمد الماغوط

الموضوعات

علوم اللغة

روابط وملفات

التعريف والنوع

رقم الوثيقة

0b2dfc62-903d-4427-8cce-9dbe48bd08c2

رقم العقد

0

نوع الوسائط

Crawler

نوع المحتوى

الرسائل العلمية

صيغة المصدر

رسائل ماجيستير

نوع الملف

pdf text

أسماء الملفات

1960844_1.pdf

بيانات النشر

ترجمة العنوان

The aesthetics of comedy in the theater of Mohammed Almagout

ألقاب المؤلفين

[{"name_ar":"حورية محمّد حمو","title_ar":"اشراف","title_en":"Supervision"},{"name_ar":"زياد إبراهيم شاكر","title_ar":"اعداد","title_en":"Preparation"}]

اللغة

Arabic

المصدر والدورية

اسم المصدر

جماليات الكوميديا في مسرح محمد الماغوط

المحتوى والصفحات

عدد الصفحات

216

ترجمة الملخص

The research aims to study the comedy in the theater of Mohammed Al-Maghout on the technical and aesthetic levels in order to show its significance and dimensions. This study was limited to three plays: (the bird Ahdab -clown -outside the squadron), describing the study as a literary study.In order to reach this endeavor, the research was divided into three chapters, in addition to an introduction and a conclusion. The introduction was devoted to presenting the research objective, the motives ofits choice, its plan and methodology, as well as an overview of its subject.The first chapter of the talk about the concept of comedy, reviewing the views of some writers and critics, philosophers and psychologists within the framework of what it was called on the concept of comedy and its methods, and provided us with this chapter dealing with the historical identity and comedy in the Western and Arab demobilized.The second chapter was devoted to studying the dramatic construction in the three playsof the above-mentioned Almagot, and highlighting the aesthetics of comedy on the level of artistic characteristics, in order to attract the most searching people.The third chapter was titled "Keys to Comedy" in the plays of Al-Maghout, and was subject to the methods of comedy used in it, and to touch the aesthetics and rhythms, described Mohammed Almagut has been famous for his work brilliance in the use of these methods, and ability to extract laughter from the forum.The conclusion was a conclusion tothe most important findings of the research, and then followed the proven sources and references, and a glossary of terms

إشراف وإعداد

الإشراف

حورية محمّد حمو

الإعداد

زياد إبراهيم شاكر

الاقتباسات الببليوغرافية