شعر الطبيعة عند شعراء سيف الدولة: دراسة موضوعية وفنية

الموضوعات

ادب

روابط وملفات

التعريف والنوع

رقم الوثيقة

0b07946e-e360-46b7-a756-47e8f69bf8e5

رقم العقد

0

نوع الوسائط

Crawler

نوع المحتوى

الرسائل العلمية

صيغة المصدر

رسائل ماجيستير

نوع الملف

pdf text

أسماء الملفات

1696273_1.pdf

بيانات النشر

ترجمة العنوان

The Poetry Of Nature At The Poets Of Saif Adawlleh : objective and artistic study

ألقاب المؤلفين

[{"name_ar":"إبراهيم الخواجة","title_ar":"اشراف","title_en":"Supervision"},{"name_ar":"خميس احمد محمد عبدالرحمن","title_ar":"اعداد","title_en":"Preparation"}]

اللغة

Arabic

المصدر والدورية

اسم المصدر

شعر الطبيعة عند شعراء سيف الدولة: دراسة موضوعية وفنية

المحتوى والصفحات

عدد الصفحات

348

ترجمة الملخص

This study is called :the poetry of nature at the poets of Saif Adawlleh: objective andartistic study to study the poetry of nature under the protection of Saif Adawlleh in whichhis poets were creative at the poetry of nature, to an extend their poetry was called therenaissance in the poetry of nature. This purpose formed a necessary one of the poetspurposes in that period. There are reasons which motivated me to study this subject. For one thing, I didn’t find acomplete, independent study, which reveals the objective, artistic characteristics of thepoetry of nature for the poets of Saif Adawlleh. For another, most researchers focused on apoet who was creative at this type, namely Asunubary, but they neglected the other poetswho, without doubt, participated heavily in the poetry of nature. This study aims at studying the poetry of nature with an objective study that shows thecomponents of nature which were described by the poets. Besides that, it aims at studyingit with an artistic study, showing the artistic features that the poetry of nature wasdistinguished by during that period in comparison to the previous times. It also aims atfilling the gap in the poetry of describing nature. In fact, it is considered a continuing issuefor what the researchers studied, beginning with the pre-Islamic epoch and finishing withthe second Al-Abassy age in which the first third of the fourth century was a part of it. This study has followed as it can be called the complementary methodology dependingmost heavily on the analytical, descriptive, historical and statistical ones. The fourth century of Hegira (in which Saif Adawlleh and his poets) formed a temporalframe for this study. On the other hand, Helab city and the areas which surround it ( northAsham and Iraq) formed the spacious frame. This study is divided into three chapters. The first one focuses on the historical study.The second one focuses on the objective study for the poetry of nature. The third onefocuses on the artistic study for this poetry. The most important results which the research found are: the poetry of nature was animportant subject for the poets of Saif Adawlleh concerning the meaning and form, Thesepoets had a long experience at creating images and meanings. They were unique in termsof raising subjects such as ( Al-Fasliat and Athaljiat) which had not been raised before.They also had a major role in developing some subjects in the field of nature. Moreover,these poets had artistic features which distinguished the poetry of nature from other ages.They also made some of the nature’s components share their feelings. And they had atendency towards independence in some of their poems.و The study recommends to raise up the roles of the poets of Saif Adawlleh in this fertilefield independently in order to show everyone’s role in developing the poetry of nature inthat period. It is possible to study the poets of nature under Saif Adawlleh withcontemporary studies. This can be done through applying contemporary literary methods intheir poetry such as stylistic and comparing them with the poets of Al-Andalus on the onehand and with modern romantic on the other hand and with sentimental Arab poets on thethird hand

إشراف وإعداد

الإشراف

إبراهيم الخواجة

الإعداد

خميس احمد محمد عبدالرحمن

الاقتباسات الببليوغرافية