نهج البلاغة جمعا وتحقيقا في ضوء النقد الثقافي

الموضوعات

ادب

الملخص

روابط وملفات

التعريف والنوع

رقم الوثيقة

09822220-7b6c-4a10-b94d-61e20d78c7a6

رقم العقد

0

نوع الوسائط

Crawler

نوع المحتوى

الرسائل العلمية

صيغة المصدر

رسائل دكتوراة

نوع الملف

pdf text

أسماء الملفات

1000034_1.pdf

بيانات النشر

ترجمة العنوان

Nahj Al-Balagha Investigation And collection in light of the cultural criticism

ألقاب المؤلفين

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اللغة

Arabic

المصدر والدورية

اسم المصدر

نهج البلاغة جمعا وتحقيقا في ضوء النقد الثقافي

المحتوى والصفحات

عدد الصفحات

0

ترجمة الملخص

In terms of its complement, verification, and cultural criticism, the literary and cultural field made many progressive steps during the second half of the 20th century that had not been noticed before, concerning the authority, the criticism movement, and the literary texts. The stage trends and views after the theory of structuralism led to the theories of deconstruction, semantics, allusion, and others, giving a new direction in literary studies called cultural studies. Cultural studies deal with general cultural texts, whether literary or not. Because of this thought of culture and its pervasiveness in every direction, cultural studies spread to include the products of the popular classes, since these classes (from a democratic view) have the right to be represented in the area of culture. Thus, cultural studies became composed of elite texts and the marginalized popular classes’ texts. Different types of discourses, utilities, and cultural habits and their relation with authority, and vice versa (the effect of authority on them), are studied within these studies. Literary criticism appeared as a critical practice that is allowed to analyze these texts and cultural practices. Discourse has been seen in the light of the culture that produces it. Therefore, literary criticism should be placed within its historical, social, and other trends to understand the nature of the culture that generated it and the streams of criticism planted within it. Because the old heritage is unwaning in our Arab culture, it has been studied in many fields, especially as it is observed that critical moves were neglected. We chose Nahj al-Balagha (NB) as our data in light of cultural criticism. NB is one of the most important Islamic heritage books. It received significant scholarly attention, but not proportional to its scientific, literary, rhetorical, and political importance. From a cultural studies perspective, it had been marginalized during previous political policies. Most of what has been found concerning NB were not academic studies. What distinguishes this study is its dealing with NB in the light of cultural criticism. Primarily, we aim to study basic issues: first, how NB has been seen as a group of texts chosen by Al-Shareef Al-Radhi from the speeches of Ameer Al-Mu'mineen Ali Bin Abi Talib (AS); second, how NB had been verified, including motives and intentions. In doing so, the study is divided into two sections, preceded by an introduction on cultural criticism. The first section is entitled "NB Complement in the Light of Cultural Criticism," which includes three chapters: Skepticism, Self-Deviant Trend, and Prove Trend. The second section is entitled "NB Verification in the Light of Cultural Criticism," which also includes three chapters: Neutralization Trend, Loyalty Trend, and Transgression Trend. The research ends with important conclusions, including: Skepticism and self-denial take different trends—literary, historic, scientific, religious, political, and others—which have been shown through various denials, which are obvious evidences and pretexts caused by sectarian extremism. Because NB has issues that affect Sunni beliefs, those who suspect and deny NB tend to reject and doubt it. As suspected denial against NB emphasized the origin of these texts as attributed to Al-Imam Ali (AS), believers responded. Those who believe that Al-Imam Ali (AS) is the origin of these texts follow different procedures, all aiming to emphasize that NB was issued by Al-Imam Ali (AS), due to their allegiance to the Shi’a denomination and loyalty to their Imam. A group of those who verified NB adheres to Al-Imam Ali (AS) and the Ahl Al-Bayt denomination. They agree with the researchers in their intention, verifying NB and being fully convinced that these texts belong to Al-Imam Ali (AS). Their verification is a genuine effort to serve NB by authenticating and issuing it. The value of NB in all its aspects is an impetus from those who verified it, such as Mohanned Muhi Al-Deen Abdul Hammed, Mohammed Abi Al-Fadhil Ibraheem, and Subhi Al-Salih. Another impetus is the adherence to preserving Arab heritage in general, with the basic motive being knowledge, making the scientific knowledge trend foundational in their work. The verification by Sabri Ibraheem Al-Said differed from traditional verification because he did not rely on any scripture. Instead, he researched literary and historical books whose authors lived at the time of Al-Shareef Al-Radhi, forming the base of his work. He proved what he found and disregarded the rest. The researcher believes Sabri was convinced that most of NB's texts did not belong to Al-Imam Ali (AS). This was the impetus for his work. His purpose was to prove that most of these texts did not belong to Al-Imam Ali (AS), especially if they contradicted some axioms of the Sunni religious institutions he adhered to. In summary, dealing with NB by scientists, researchers, verifiers, and all those included in this research was not limited to the text itself. The political context where it was produced influenced its study, and pretensions of objectivity are rare and, if present, limited.

كلمات الباحثين

النقد الثقافي، الدراسات الثقافية، نهج البلاغة، علي بن أبي طالب، التحقق النصي، التراث الإسلامي، التقييم الأدبي، النقد الأدبي، التراث العربي

إشراف وإعداد

الإشراف

قيس حمزة الخفاجي

الإعداد

احمد عبيس عبيد المعموري

الاقتباسات الببليوغرافية