ئیستاتیكای ئاماژه‌ نازمانییه‌كان له‌ ده‌قه‌ شعرییه‌كانی (ع.ح.ب) و جه‌مال شارباژێڕیدا

الموضوعات

ادب

روابط وملفات

التعريف والنوع

رقم الوثيقة

0952bb2c-5994-4623-8acb-593a86f64b64

رقم العقد

0

نوع الوسائط

Crawler

نوع المحتوى

الرسائل العلمية

صيغة المصدر

رسائل ماجيستير

نوع الملف

pdf text

أسماء الملفات

0952bb2c-5994-4623-8acb-593a86f64b64_1.pdf

بيانات النشر

ترجمة العنوان

Aesthetic of non-linguistic Allusions in the Poetical Texts of (E. H. B and Jamal Sharbazhery

ألقاب المؤلفين

[{"name_ar":"Aso Omer Mustafa","title_ar":"اشراف","title_en":"Supervision"},{"name_ar":"Zrar Sardar Mohammed","title_ar":"اعداد","title_en":"Preparation"}]

اللغة

Kurdish

المصدر والدورية

اسم المصدر

ئیستاتیكای ئاماژه‌ نازمانییه‌كان له‌ ده‌قه‌ شعرییه‌كانی (ع.ح.ب) و جه‌مال شارباژێڕیدا

المحتوى والصفحات

عدد الصفحات

0

ترجمة الملخص

Aesthetic of non-linguistic Allusions in the Poetical Texts of (E. H. B and Jamal Sharbazhery)Non-linguistic allusions are the main principles of communication process, as in this process transferring knowledge via language allusion cannot be successful alone rather it needs non-linguistic allusions to develop the communication. This significant role is the same in literature genres as well. All of the basics of non-linguistic allusions reflected in the literature particularly in poetical texts, because they have greatrole in the embodiment of poetic image of attractive poetries since analysing each non-linguistic allusion has its great role and message. The embodiment of non-linguistic allusions in poetry, will make the poetries brief and attractive which is the historical characteristic of poetry. Both poets successfully embodied the non-linguistic allusions in some of their poetries. so they were significant basics of aesthetics of the poetries to make the poetries attractive for the readers. The research consists offour sections: the first section (aesthetic and non-linguistic allusions) consists of four parts, in the first part the term and concept of aesthetic and Kant theory described. Second part is about the relation between non-linguistic allusions and semologya. So, in the third part, the communication process and its types clarified and also in the fourth part, focused on non-linguistic allusions in term of different point of view. The second section (aesthetic of body allusions) is about the aesthetic of body allusions in the poetical texts of both poets. It is clearly focused on the allusions of body and statue and erotic allusions. Though the third section (aesthetic of feeling and sound allusions) illustrating each allusion of feeling and sound in the poetical texts of both poets. The Bfourth section (the aesthetic allusions of nature and colors) demonstrate the allusions of nature and colors and particularly the aesthetic dimensions of each allusion illustrated with poetical examples. At the end the result demonstrated in some points. So according to a statistic all of the allusions of both poets illustrated and compared

كلمات الباحثين

non-linguistic Allusions - Poetical Texts - Jamal Sharbazhery - ئاماژه‌ نازمانییه‌ - جه‌مال شارباژێڕیدا

إشراف وإعداد

الإشراف

Aso Omer Mustafa

الإعداد

Zrar Sardar Mohammed

الاقتباسات الببليوغرافية