السمات الجمالية لفن الأيقونة

الموضوعات

فن

روابط وملفات

التعريف والنوع

رقم الوثيقة

075f82ef-835b-4d00-938a-5f8c567bdcf9

رقم العقد

0

نوع الوسائط

Crawler

نوع المحتوى

الرسائل العلمية

صيغة المصدر

رسائل دكتوراة

نوع الملف

pdf text

أسماء الملفات

1000581_1.pdf

بيانات النشر

ترجمة العنوان

Aesthetic features of art icon

ألقاب المؤلفين

[{"name_ar":"سلام حميد رشيد الحلي","title_ar":"اعداد","title_en":"Preparation"},{"name_ar":"محمد علي علوان القرة غولي","title_ar":"اشراف","title_en":"Supervision"}]

اللغة

Arabic

المصدر والدورية

اسم المصدر

السمات الجمالية لفن الأيقونة

المحتوى والصفحات

عدد الصفحات

0

ترجمة الملخص

Means of this research study (attributes aesthetic art icon), which is located in the four chapters devoted the first chapter to introduce the research problem, and its importance and need for it, and its purpose and its limits, and review of the most important Almsstalhat contained therein. The focus of the problem of current research on a vision research Taatnavz with data fees iconic Christian, of a religious nature, the crystallization Mqterpat thinkers combines the Christian religion and the authority of the Church on the one hand and between art iconic On the other hand, were products of Christian art attracts visions of knowledge and religious evidence of special optical Bloicona, which confirmed that the religious discourse, correctly and shares in the probe of Christian thought, with more foresight and reflection and research on the process of the contents of humanity, through the codes of visual and documented themes of Jesus Christ (pbuh) and Mary (p), as a model Ntqsy through pictures icons idea of freedom from level to level sensory intuitive, and becomes the perfect ideas that affect the technical or buildings is to be portable it, a disclosure for real hidden of knowledge that are extrapolated, but trading at the discretion of the religious Christian religion of the assets and ideas of multiple visions. The problem arose during the current search Altsaullac answer the following: - What are the aesthetic features that characterized the products of the art of icon?  If there were Mqterpat religious productions that have been subjected to embrace the vision of allegorical spectrum to reflect the scenic icon, what Bare the structural data, which affected the iconic buildings is in accordance with the privacy of Kulim the link between form and content? And demonstrated the importance of research as an analytical vision to reflect the scenic icon within the area of Christian art, allowing students and connoisseurs of art and are interested in this field found on the data construction, which affected buildings is iconic to the specificity of the link between the icon and Mahmoladtha Results, According to current research critics and examiners of the history of art plastic through to see what his findings and conclusions show an area of important historical, linked visionary with the data say about the speech aesthetic private Bloicona, as well as the current research establishes new studies dealing with examination performed technical Icon, through ideas, concepts and themes several from which to re-read optical formats have aesthetically and structurally. The researcher found that there is an urgent need for this study, is the fact that the subject has not been studied in detail and independently, and the lack of academic studies that address this issue and Vtgar specialized libraries of the sources of Arab and foreign translations, which is a vacuum, cognitive, and gave a rationale for the researcher to go into Bmqterpat and addressing this theme and achieve the desired results. The research goal is the (known features of aesthetic art icon) and what means the limits of research has determined to study features of aesthetic products of the art of icon implemented with different materials and different materials and different kinds of (Byzantine, Russian, Armenian, Syriac, Coptic) in the churches and monasteries of East and West for the period from the third century century to the sixth century AD. CIncluded theoretical framework of four Detectives, my first topic to study (confidante aesthetic of the image in philosophical thought), and my second topic to study (the Christian religion and art) through several axes, including the (Christian religion and beliefs), (entrance in reading Christian art), (Art Achrista early), (Art and the trend is Albezntini), (the aesthetics of art Armenian), (Alkilia art and pictures of miniatures), (Art and inheritance Eastern Syriac), (features Coptic art). He specialized in the third topic studied (image and icon between the concept and significance) of the two axes, the first (entrance in the concept of the image) and II (icon: reading in the concept) Mtdmanana subheadings of them (the root of the historic icon), (divisions of theology of the icon), (Tkiras icons in Church). With my thesis fourth with (the art of icons and the diversity of visions visual) has included sub-headings several of them (the icon and problematic prohibition in Christian thought), (iconoclasts), (the art of icon Byzantine), (the art of icon Russian), (the art of icon Syriac), (the art of Coptic icon)

كلمات الباحثين

فن الأيقونة، الجماليات المسيحية، الفن البيزنطي، الرموز البصرية، الفلسفة الجمالية، الفن القبطي

إشراف وإعداد

الإشراف

محمد علي علوان القرة غولي

الإعداد

سلام حميد رشيد الحلي

الاقتباسات الببليوغرافية