شعرية العتبات في النص الشعري الجزائري المعاصر

الموضوعات

ادب

روابط وملفات

التعريف والنوع

رقم الوثيقة

063a6d33-820c-4ec6-9b44-b36f5dd6320b

رقم العقد

0

نوع الوسائط

Crawler

نوع المحتوى

الرسائل العلمية

صيغة المصدر

رسائل دكتوراة

نوع الملف

pdf text

أسماء الملفات

794887_1.pdf

بيانات النشر

ألقاب المؤلفين

[{"name_ar":" زهيرة بولفوس","title_ar":"اشراف","title_en":"Supervision"},{"name_ar":"روفيا بوغنوط","title_ar":"اعداد","title_en":"Preparation"}]

اللغة

Arabic

المصدر والدورية

اسم المصدر

شعرية العتبات في النص الشعري الجزائري المعاصر

المحتوى والصفحات

عدد الصفحات

795

ترجمة الملخص

Paratexts is semiotic signs opened to the critical and semiotic analysis because of their ownership of discreet and clear authority at the same time as they practice on the text and the reader (all the generally brief Texts) Paratexts is a pact of reading a visual poetry which uses the Texts to build the meaning of the literary work. The paratext is all which by –passes the text and makes of this text a book presented particularly to the readers in ageneral way in the general public.The object of this study is to show how to use the poetics of thresholds in the contemporary Algerian poetry to answer this question we decided to divide the subject of the thesis (theory) into several stages:1) First stage :the main idea proposed by this stage is to give definitions and precise concepts to the terms : (paratext- text and poetics) besides approaching the reception of the term paratext in the contemporary Arabic criticism. In the third chapter , the study appreciates ( estimates) the various types of paratext ( peritext ,epitext).2) The second stage: The study concerns the strategy of the paratexte , the main title ,the Intertitles ,the Original preface .we looked for to approach the titles in contemporary Algerian poetry .to analyze the relation between the title and the text ,and to demonstrate the capacity of the title on creation of the poetic interest.3) The Third stage: our study concentrates on the préfaciel speech and the manifestoes proposed in the Algerian poetics.4) The Fourth stage: the study works on paratextes and the poetics interns in the Algerian poems (epigraphs, dedications, notes(marks))5) The fifth stage: the study concerns the approach to the textual space and the visual space, calligraphic cover and the units (colors, images, generic indications …).6) Last stage: at the end of this study, we established(constituted) a number of results(profits).

إشراف وإعداد

الإشراف

زهيرة بولفوس

الإعداد

روفيا بوغنوط

الاقتباسات الببليوغرافية