التفكيكية وتطبيقاتها في فن ما بعد الحداثة

الموضوعات

فن

روابط وملفات

التعريف والنوع

رقم الوثيقة

03dc3b28-7f31-4da1-b3f4-d58476cf9e05

رقم العقد

0

نوع الوسائط

Crawler

نوع المحتوى

الرسائل العلمية

صيغة المصدر

رسائل ماجيستير

نوع الملف

pdf text

أسماء الملفات

1001642_1.pdf

بيانات النشر

ترجمة العنوان

Dissociation and its Applications in Post modern Arts

ألقاب المؤلفين

[{"name_ar":"حمدية كاظم روضان","title_ar":"اعداد","title_en":"Preparation"},{"name_ar":"فاكر محمد حسن","title_ar":"اشراف","title_en":"Supervision"}]

اللغة

English

المصدر والدورية

اسم المصدر

التفكيكية وتطبيقاتها في فن ما بعد الحداثة

المحتوى والصفحات

عدد الصفحات

0

ترجمة الملخص

The movement of European modernism in art was the culmination of a series of intellectual, social, and economic experiences of European societies at different levels and time periods. This ultimately led to major shifts, marking the emergence of an era of modernity, which introduced a new type of art as a significant challenge to the traditional norms of Classical art, which simulated reality or conveyed profound meanings. Modern Art moved toward the cancellation of strict realism, replacing it with artistic forms that focused on the self-expression of the artist and his vision. Modernism emphasized stylistic freedom and creative divisions, promising ramifications that evolved continuously, even into the post-modern stage, which represents a new phase in the evolution of artistic forms and external aspects. The post-modern movement, which emerged first in art and literature, followed the footsteps of modernity by reassessing previous legacies. The intellectual and philosophical context of any era can be directly related to its art but must be interpreted carefully, considering cognitive and functional aspects. The post-modern movement, which arose from deliberate acts aiming to open spaces in sacred texts and challenge established standards, stems from the tendencies of modernity itself. It rejects centralized hegemony, seeks to value marginalized perspectives, and expands the horizons of reading by shaking old structures to produce new interpretations. Many post-modernist art currents find roots in modernist practices, such as Cubism, Abstract Art, and Dadaism. The current research aims to conduct approaches and methods to read post-modern art from foundational works to open gaps and provide broader interpretive methods, allowing aesthetic texts to be explored freely. Each new reading becomes a doorway to subsequent interpretations of the artwork. The research seeks to answer the following question: Is there a relationship between politics and art after modernism? Chapter I defines the research problem, its importance, and necessity: To study the role of politics in the production and methods of creative work. To analyze the movement of artistic assets in modern European art. To provide analytical readings of artworks as a continuum from modernity, examining their formal aspects and development methods. Chapter II contains: A historical review of intellectual authorities in philosophy, Greek philosophy, and critical studies. Analysis of Modernist Arts, examining the impact of deconstructive tendencies inherent in modernity. Study of the mechanisms of art after the deconstruction of modernity. Chapter III describes the research procedures, study community, sample selection (12 samples), and the analytical and descriptive methods applied. Chapter IV presents research results, conclusions, recommendations, and proposals. Key findings include: Modernist artists created formal patterns allowing free movement, non-specific meanings, and functional relationships, opening the door to metaphor and infinite interpretations. Post-modernist artists balance the desire to explore physical dimensions of form while maintaining respect for these dimensions, activating elements such as color, line, block, and texture. They integrate realistic and unrealistic parts in dynamic exchanges across the painting. Main conclusions: The development of post-modern art emphasizes the activation of marginalized centers, the use of technical developments, informatics, fashion, and the culture of consumption and democracy.

كلمات الباحثين

الحداثة الأوروبية، ما بعد الحداثة، النقد الفني، التفكيك، التكعيبية، الفن التجريدي، دادائية، التأثير السياسي على الفن

إشراف وإعداد

الإشراف

فاكر محمد حسن

الإعداد

حمدية كاظم روضان

الاقتباسات الببليوغرافية