العولمة وتمثلاتها في فن مابعد الحداثة

الموضوعات

فن

روابط وملفات

التعريف والنوع

رقم الوثيقة

02137fdd-46f6-427e-a6c9-34b9c5b64a62

رقم العقد

0

نوع الوسائط

Crawler

نوع المحتوى

الرسائل العلمية

صيغة المصدر

رسائل ماجيستير

نوع الملف

pdf text

أسماء الملفات

1000376_1.pdf

بيانات النشر

ترجمة العنوان

Globalization and its Applications in Post modern Arts

ألقاب المؤلفين

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اللغة

Arabic

المصدر والدورية

اسم المصدر

العولمة وتمثلاتها في فن مابعد الحداثة

المحتوى والصفحات

عدد الصفحات

0

ترجمة الملخص

The issue of globalization occupied a great deal of studies, researches and literatures as well as being a phenomenon imposed itself strongly on the reality field, and its economic, political, social and cultural manifestations raise a debate that coined the intellectual discourse at the end of the twentieth century, and form the primary interface of the letter of the threshold crossing the twenty first century , as globalization is key attribute of the current moment in today's world. The world is now shifting in an unprecedented way, under the headlines of the waves of knowledge and technology succession: is globalization and postmodernism. Hence the current search (Globalization and its applications in the post-modern art), to shed light on the globalization in all its economic, social, political, cultural aspects and dimensions , and a try to determine its features and characteristics, and to identify the extent of its impact on art, especially the art of post-modernity. So this research sought to investigate the reality of globalization and the creation of an approach with the art of post-modernity. Research includes four chapters , the first chapter refers to the problem of research and its importance and need for it, as well as the limits of research, which was limited to study representations of globalization in the art of post-modernism, represented by products of (abstract expressionism, folk art, superialism , conceptual art, movement of Fluxes, art graphite), which appeared in the United States and Europe in the era (1980 - 2011). The study aimed to: (1- Knowing the conceptual dimensions of globalization. 2-knowing representations of globalization in the post-modern art.) chapter has been completed identifying the most important terms. The second chapter includes four sections representing the theoretical framework and previous studies, the first section study the globalization conceptually and the statement of its roots , dimensions and fields, and the second section study the intellectual and philosophical references of postmodernism by reviewing the theses of philosophical thought through a group of philosophers and thinkers, while the third section include: Postmodernism .. Between reality and the intellectual data , and the fourth section includes: the features of globalization in the post-modern art, and ending the second chapter by presenting a set of indicators for use in building the search tool and analyze the sample. The third chapter: includes the research procedures, which included the research community, and the representative sample, and the nature of its tool, and research methodology, and statistical methods used , ending with the analysis models of the research sample of (17) specimen according to the descriptive and analytical method, depending on the search tool represented by form for content analysis prepared by the researcher and to ensure its suitability to achieve the research objectives are met over the validity and reliability. The fourth chapter includes the results and conclusions as well as a number of recommendations and proposals .. Among the most prominent findings of the researcher: 1.Globalization seeks to the universal open up and hit the center through margin and text deliberation that represented in the art of post-modernism which has been associated to the phenomenon of the total transformation in the concept of tidal space which is no longer a specified by one central point of view, but a painting became an area with numerous centers with outpouring of colors, lines and shapes, which made the painting outlines and its margins have the same importance for the rest of the artwork. 2.Globalization through its numerous means of contact such as the internet , video games and movies, trying to transcend reality and logic to virtual ethereal reality, as a mean to give up the multiple ideologies of nations, and the disruption of the effectiveness of the mind and grab people's memory, and direct the imagination and to erase history and beyond towards the outlook inclusive of the universe, has been represented in the art of post-modernism through the asylum artist to irrationality to overcome the fact The area to para-reality to be a reality laden with anxiety, nihilism and alienation within the haploid method corresponds to the bustling industrial civilization, and the chaos of order and logic imposed by the modern era automatic, has appeared so obvious in most models of the sample. 3.The globalization on the culture of the image within its orientations, cultural, economic, social and media, and benefit from the process to influence the tastes and different ideas, and make it an alternative to the original, through its image from the dazzle and surprise and excitement with the ability to spread to the largest possible number of viewers, especially with the development of image making techniques with the development of the rollup. Has been represented in the art of post-modernism through the investment of energy is as a visual C expression of the present society in all its dimensions and try to approach art from a more real life of man. 4.has become a technology in the era of globalization and one of the most important vocabulary of Western life, has tried to artists of postmodern speak the language of the times, through discourse visual which establishes a taste of participatory with the receiver open to cultures all, and absorb secretions of modern technology, has appeared there is a great desire to artists of the post- modernity in the recruitment of new inventions and new technical means, as one of the secretions of contemporary life that are in line and the nature of the changes taking place in post-industrial society. Also researcher based on the search results reaches a number of conclusions, including: 1.Changing is one of the universe rules , and dynamic communities are communities capable of change within the new developments taking place in the world, especially in the art that has become expressing the global human. 2.Globalization in Western countries did not take the serious dimensions that it has been taken in the rest of the world, they are compatible with the reality of material life for the recipient and there is a state of balance between the individual and his environment which is witnessing an acceleration on the economic, social, political levels, and thus all of that will be reflected on thought and behavior of the individual and society. 3.Registration of global phenomena in the postmodern artwork, has become a way to get to the proliferation and human communication and confirmation of the argument (global citizen).

كلمات الباحثين

العولمة، الفن ما بعد الحداثة، الثقافة البصرية، التأثير الإعلامي، الواقع الافتراضي، التحليل الفني

إشراف وإعداد

الإشراف

علي شناوة وادي

الإعداد

إياد محمود حيدر الشبلي

الاقتباسات الببليوغرافية